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Studio: Peace Arch Home Entertain Release Date: 05/08/2007

UP IN SMOKE TOUR - DVD Movie

They may be every parent's nightmare, but the rap all-stars that comprise the 2000 Up in Smoke tour (smoke, as in blunts and chronic--or marijuana, for the uninitiated) are incredibly popular with a surprising cross-section of young music lovers today. This two-hour-plus DVD captures most of one concert by the four rappers who joined together for this tour: Ice Cube, Eminem, Dr. Dre, and Snoop Dogg. If you aren't a fan of the music, don't expect this to change your mind or even to help you understand these rappers' appeal. For the devoted, however, you get heaping doses of four of the hottest acts working, in a show that includes lavish production values as well as plenty of backstage footage and photographs as extra features. Given the slice-and-dice editing (no shot, it seems, is allowed to last more than two seconds), it's hard to get a fix on them or a true picture of what the show looked like if you happened to be sitting in the audience. --Marshall Fine

UP IN SMOKE TOUR MOVIE - 3? Mini DVD for PH

They may be every parent's nightmare, but the rap all-stars that comprise the 2000 Up in Smoke tour (smoke, as in blunts and chronic--or marijuana, for the uninitiated) are incredibly popular with a surprising cross-section of young music lovers today. This two-hour-plus DVD captures most of one concert by the four rappers who joined together for this tour: Ice Cube, Eminem, Dr. Dre, and Snoop Dogg. If you aren't a fan of the music, don't expect this to change your mind or even to help you understand these rappers' appeal. For the devoted, however, you get heaping doses of four of the hottest acts working, in a show that includes lavish production values as well as plenty of backstage footage and photographs as extra features. Given the slice-and-dice editing (no shot, it seems, is allowed to last more than two seconds), it's hard to get a fix on them or a true picture of what the show looked like if you happened to be sitting in the audience. --Marshall Fine

Based on a couple of short stories (from The Lone Ranger and Tonto Fistfight in Heaven) by Sherman Alexie, Smoke Signals is a lean and assured feature that speaks well of its lengthy, rich evolution, including a development stint at Sundance. The first feature made by a Native American crew and creative team, the film concerns two young Idaho men with radically different memories of one Arnold Joseph (Gary Farmer), a former resident of the reservation who split years before and has just died in Phoenix. Arnold's strapping, popular son, Victor (Adam Beach), remembers him best as an alcoholic, occasionally abusive father who drove off one day and never came back. By contrast, Thomas Builds-the-Fire (Evan Adams), whom Arnold had saved from certain death years earlier, has chosen to exaggerate the man's life and deeds in a mythmaking fashion that drives Victor crazy. Circumstances bring the two together, however, in a bus ride to retrieve Arnold's ashes. There, in Phoenix, a confrontation with the reality of the dead man's fullest legacy has a profound effect on both characters. Alexie, who wrote the script and was personally involved in all aspects of the production, and first-time director Chris Eyre are so polished in their approach that you can barely feel the cinematic engine at work here. This is the kind of movie in which the characters seem to be driving everything forward, a captivating and pleasant experience that gets a little too tidy at the end (can we call a moratorium on scenes of human ashes lovingly disposed to the winds?), but which is undeniably moving. The cast, including Irene Bedard (the voice of and physical inspiration for Disney's Pocahontas) is outstanding. --Tom Keogh

Critically acclaimed as one of the best films of the year -- Miramax Home Entertainment is proud to present SMOKE SIGNALS -- a distinguished winner at the Sundance Film Festival! Though Victor and Thomas have lived their entire young lives in the same tiny town, they couldn't have less in common! But when Victor is urgently called away, it's Thomas who comes up with the money to pay for his trip. There's just one thing Victor has to do: take Thomas along for the ride! You're in for a rare and entertaining comic treat as this most unlikely pair leave home on what becomes an unexpectedly unforgettable adventure of friendship and discovery!

Cheech & Chong's first cannabis comedy is also their best, a souvenir from the more carefree days before "Just Say No," when people did not feel so defensive about inhaling. In 1978, the prevailing spirit was more like "Just Say Blow." Even New Yorker film critic Pauline Kael liked it (the movie, that is), adding that it was "an exploitation slapstick comedy, rather than a family picture, such as Blazing Saddles or High Anxiety--which means that it's dirtier, wilder, and sillier." The story has to do with bumbling potheads Cheech & Chong searching for primo bud, while being tailed by a team of inept law-enforcement officers, led by Sgt. Stedenko (Stacy Keach). Sample dialogue: When a cop pulls them over to ask if they are any illegal substances in his vehicle, Cheech replies: "Not any more, man." Up in Smoke is an irresistibly silly and charming movie that--despite, or perhaps because of, the national furor over drug use--plays today like a relic from a bygone era, a sweeter, more open, more innocent period in our history. --Jim Emerson

Follows the lives of the workers at a 1960's New York advertising agency.

Stills from Mad Men (click for larger image)

Explores the personal and professional lives of a group of eccentric civil attorneys in a Boston law firm.

Victor and Thomas have lived their entire lives on the same Indian Reservation but couldn't be more different. When Victor is called away, it's Thomas

Based on a couple of short stories (from The Lone Ranger and Tonto Fistfight in Heaven) by Sherman Alexie, Smoke Signals is a lean and assured feature that speaks well of its lengthy, rich evolution, including a development stint at Sundance. The first feature made by a Native American crew and creative team, the film concerns two young Idaho men with radically different memories of one Arnold Joseph (Gary Farmer), a former resident of the reservation who split years before and has just died in Phoenix. Arnold's strapping, popular son, Victor (Adam Beach), remembers him best as an alcoholic, occasionally abusive father who drove off one day and never came back. By contrast, Thomas Builds-the-Fire (Evan Adams), whom Arnold had saved from certain death years earlier, has chosen to exaggerate the man's life and deeds in a mythmaking fashion that drives Victor crazy. Circumstances bring the two together, however, in a bus ride to retrieve Arnold's ashes. There, in Phoenix, a confrontation with the reality of the dead man's fullest legacy has a profound effect on both characters. Alexie, who wrote the script and was personally involved in all aspects of the production, and first-time director Chris Eyre are so polished in their approach that you can barely feel the cinematic engine at work here. This is the kind of movie in which the characters seem to be driving everything forward, a captivating and pleasant experience that gets a little too tidy at the end (can we call a moratorium on scenes of human ashes lovingly disposed to the winds?), but which is undeniably moving. The cast, including Irene Bedard (the voice of and physical inspiration for Disney's Pocahontas) is outstanding. --Tom Keogh

CAssorted Smoke Balls by the pack of 12 color smoke balls

Assorted colors of smoke. Kids love them. Each pack ordered includes 12 Colored Smoke Balls.

Set an elegant table with Regale collection, its jacquard design have beautiful intricate pattern woven into as part of its structure. The Collection has coordinating tablecloths, Table runners Napkins, and kitchen towel which could fit nicely with most living and design-styles from contemporary-style, casual-style, traditional-style, and classic-style and so on. The sets come in two colors choices Antique Cranberry and Beige-silver with a hue of olive in various sizes. TABLECLOTHS are Oblong, 70x70 inch, 70x90-inch, 70x110 inch and 70x126-inch TABLE RUNNERS are 17x90-inch, 17x 72-inch used as Cross Runners too. The Runners have Oblong ends and Triangular ends with decorative tassels. NAPKINS are 22x22-inch and kitchen towels 19x27-inch. Linen is a Durable and Strong Fabric; None-allergenic, Antistatic and Antibacterial. Resistant to damage from abrasion, Resists Dirt and Stains, Has no Lint or Piling Tendencies with Moderate shrinkage.